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Roman, transitional & modern serifs

Serif Fonts (520 Profiles) — Page 18

Five hundred and twenty-one serif faces spanning old-style text roman, high-contrast editorial cuts and wedding-ready display serifs. Useful whenever the design needs authority rather than personality.

93 CollectionsA–Z Index

520 fonts (sorted by maker demand)Page 18 of 22

Font profiles

Original Luxafy Wetysh preview by qrdesignstd

Rolled-initial luxury serif

Luxafy Wetysh

Luxafy Wetysh is a luxury display serif in gold on a dark red light-streaked ground: two words stacked, with rolled and curled initial capitals, a long lower sweep on the final letter, high contrast and fine joins, plus three small oval notes that name the style and the studio.

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Original Qerdith preview by Idealistudio

Experimental antique display serif

Qerdith

Qerdith is an experimental antique display serif in cream on a museum-style still life: narrow upright capitals with angular bowl joints, small ornamental serifs, a monogram at the top between dated notes, and sample rows of uppercase, lowercase, numerals and punctuation set on a stone tablet.

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Original Quality preview by Perfectype

Light display serif with drawn terminals

Quality

Quality is a light display serif in cream over a shadowed portrait: mixed case with a bent Q tail that curls beneath the following letter, an extended upper stroke on the l, high contrast and fine joins, set as one large word with a small line above and two lines beneath.

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Original Rasquin preview by product.rasiostudio

Light romantic contrast serif

Rasquin

Rasquin is a light romantic contrast serif in teal on a pale ground: mixed case with heavy stems, hairline joins, a curled R leg and a fine u return, set as one wide word with a tracked line beneath and a small note on the glyph count, framed by gerberas and drifting leaves.

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Original Relvato preview by Pitchlook

Playful retro serif

Relvato

Relvato is a playful retro serif in black on cream: chunky soft serifs, mixed-case letters with generous bowls, a slightly heavy weight, and a full character set displayed beneath the specimen, so the face reads as a friendly workhorse rather than a display one-off.

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