Foundry portfolio · Decorative · Display · Serif
Creativeguru writes decorative display with a soft, giftable feel. Mila is gentle and rounded, Cami a cleaner companion, and the 12 releases cover cards, packaging and small shop graphics without heavy ornament.
Before you buy from this studio
Soft display faces look similar in previews. Compare the letter proportions of two releases rather than the colour of the mock-up.
Glossy graffiti bubble letters
Mila is a bold graffiti bubble display in black gloss on a concrete plinth against a graffitied wall: fat inflated letters with a heavy highlight, drips falling from the baselines, dots and specks around the block, with tracked captions above and below and file badges at the foot.
Ideas for this font
Bevel-grooved 1920s saloon capitals
Cami sculpts wide Victorian-Western capitals with mid-stem spurs and recessed inline grooves, so a three to seven letter name reads as a carved sign over a saloon door or a theatre header.
Ideas for this font
Victorian Orna-Deco serif with curled inner terminals
Pelin is an Orna-Deco Victorian display serif blending classical Roman stems with inward-curled spiral hooks and diamond stem nodes.
Ideas for this font
Carved geometric island-pattern capitals with hatch fills and spiked frames
Adan is a decorative capital alphabet in which each letter is drawn as a carved panel with a hatched fill, a patterned border and a spiked crown, so a word reads as a set of tiki carvings.
Ideas for this font
Heavy angular capitals with repeated square notches along their edges
Aztec shows solid black block capitals bordered in white, where small rectangular teeth interrupt the upper edges, stepped cuts shape the Z diagonal and the C terminals, and the large A keeps a small triangular counter while the E combines broad flat arms.
Ideas for this font
Angular stencil sans with cut corners
Pinnacle is an angular stencil sans in beige on dark brushed metal: heavy capitals with forty-five degree cut corners, notched stems and flat apexes, lit as if the letters were cut from a plate.
Ideas for this font
Serif-flavoured stencil with visible bridges
Vim is a stencil typeface in cream on a wood and metal mockup: heavy block letters cut into segments, with visible gaps where the bridges would hold the stencil together, and small serifs left on the outer edges of each segment.
Ideas for this font
Celtic knotwork display with bevelled strands and interlaced bowls
Bray is a Celtic knotwork display alphabet in which every stroke is a braided band with a bevelled edge, the bowls close into interlaced rings and the letters share one outline, so a word reads as cast metal rather than as type.
Ideas for this font
Heart-nested soft display
Yohans is a soft heavy display in black on an aged paper card: rounded capitals with small pale heart outlines nested along the strokes, a fine inner outline and slight serifs, set as one word between a curved introducing line and two plain lines naming the style and the formats, with a maker badge at the lower left.
Ideas for this font
1980s synthwave scanline & 3D wireframe display
Dora is a retro-futuristic 1980s display font combining horizontal CRT scanline faces with built-in 3D wireframe perspective grids.
Ideas for this font
Rounded marker display with a squiggle inline
Musa is a rounded hand-drawn display in heavy black caps, each stroke carrying a thin white squiggle inline that wanders along its length, with a soft glow lifting the word off an abstract gradient ground.
Ornamental display with carved pattern fills
Patchwork is an ornamental display face in dark ink on wood: heavy capitals filled with carved patterns of dots, hatching and curls, outlined and set inside a drawn frame, with a condensed capital caption beneath.
Ideas for this font
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