
Sava + Aureline
Anchors Sava's fluid strokes with crisp Roman proportions on wedding suites, headers and packaging.
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Dry-brush capitals with flowers
Sava is a black brush script on a pale ground: capitals with dry streaks, uneven joins and small flower ornaments set into the wide strokes, with a cherry blossom branch blurred behind, a lined introducing line above and a script descriptor and file note beneath.
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Get this fontProject & layout blueprintsAt-a-glance maker compatibility
Sturdy stroke walls and open counters weed cleanly on adhesive vinyl, HTV apparel film, and cut cardstock.
Visual anatomy & craft review
The plate is a soft mock-up, and the blossom behind is defocused so it does not compete with the lettering. The drawing is a brush capital with dry streaks and a small flower set into the stroke, so the word reads as painted with a loaded brush rather than as type, and the flowers turn the display into a decorative piece rather than a plain script. That construction sets a moderate size floor, because the dry streaks and the small flowers close first. The introducing line, the descriptor and the file note are product copy. It suits a card, a label and a shirt for a wedding, a beauty or a spring subject.
Brush, dry, floral, hand-lettered
Two-font hierarchy recipes
Tested contrast partners — pairing Sava with grounded secondary typography.

Sava + Aureline
Anchors Sava's fluid strokes with crisp Roman proportions on wedding suites, headers and packaging.
Inspect Aureline specimen
Sava + Saltriver Grotesk
Keeps small-scale dates, URLs, nutrition facts and care instructions crisp and legible below script titles.
Inspect Saltriver Grotesk specimenPractical applications
Concrete hierarchy, scale and production guidance tailored to Sava’s stroke geometry.
A brush script names a spring wedding, and the flowers inside the strokes give the greeting detail without an illustration.
Hierarchy & layout recipe
A6 card: the greeting at 30 pt, the names in a 10 pt serif, and the date at 9 pt. Keep 15 mm margins, print one ink on a heavy card and leave 12 mm at the foot for a line.
Pre-production check
Check the 30 pt greeting at home-print resolution, where a flower closes; keep it above 1.2 mm. Confirm the names read at arm's length and that the card folds flat.
A brush label reads as a studio, and the dry strokes hold on a small die where a fine script would break up. It reads as a florist brand.
Hierarchy & layout recipe
Print a 55 by 80 mm label: the studio at 12 pt, the service at 8 pt, and the contact at 7 pt. Keep 5 mm inside the die and keep the flowers above 0.6 mm.
Pre-production check
Check the 12 pt studio on a small die, where a flower fills; keep it above 0.6 mm. Confirm the 7 pt contact reads in hand and that the label takes a fold.
A brush display prints as fair kit, and the black strokes read on a light shirt where a pale script would look weak. It reads as fair kit.
Hierarchy & layout recipe
Print a 250 mm chest graphic: the fair at 55 mm cap height, the year at 24 mm, and one ink on a light shirt. Keep the smallest flower at 4 mm and place the graphic 80 mm below the collar.
Pre-production check
Check the screen at actual mesh, where a 4 mm flower can fill; enlarge it. Wash-test one shirt and confirm the dry streaks stay visible after five cycles.
Technical & licence verification
Confirm included OTF/TTF/WOFF formats, full glyph tables and licence coverage on the live store page before batch production.
Same independent foundry
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