
Yolanda Comel + Augler
Anchors Yolanda Comel's fluid strokes with crisp Roman proportions on wedding suites, headers and packaging.
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Calligraphic handwriting script with swash capitals
Yolanda Comel is a calligraphic script in near-black on cream: a modulated stroke with a steep angle, tall looping capitals, a long swash entry on the Y and a matching exit on the final l, so the pair reads as an invitation written with a pointed pen and then set in print.
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Get this fontProject & layout blueprintsAt-a-glance maker compatibility
Weld or Unite overlapping script joins into one continuous vector path before sending to the blade.
Visual anatomy & craft review
The two words sit on one line and the drawing follows pointed-pen logic: the downstrokes swell, the upstrokes thin, and the joins sit on the baseline with visible connections, which is what keeps a fast script legible. The capitals are the decorative part, with the Y opening into a wide loop and the C closing on itself, and the swash entries run well outside the word, so the lockup needs margins rather than a tight frame. Spacing is loose and the angle is consistent, which gives the pair a calm, unhurried tone. The ground is a warm cream with watercolour eucalyptus sprigs at the top and bottom and two tracked captions in a light roman, so the page reads as a stationery sample rather than as a type specimen.
Calligraphic, elegant, swashed, handwritten
Two-font hierarchy recipes
Tested contrast partners — pairing Yolanda Comel with grounded secondary typography.

Yolanda Comel + Augler
Anchors Yolanda Comel's fluid strokes with crisp Roman proportions on wedding suites, headers and packaging.
Inspect Augler specimen
Yolanda Comel + Mansory
Keeps small-scale dates, URLs, nutrition facts and care instructions crisp and legible below script titles.
Inspect Mansory specimenPractical applications
Concrete hierarchy, scale and production guidance tailored to Yolanda Comel’s stroke geometry.
A pointed-pen script gives a garden wedding the right formality, and the loose spacing means two long surnames can share a line without the swashes tangling.
Hierarchy & layout recipe
A5 invitation: the names at 30 pt, the request in a 10 pt roman at 14 pt leading, and the date in 8 pt caps. Keep 22 mm margins, reserve 12 mm around the swash entries, and print one ink on a heavy cream card.
Pre-production check
Check the 30 pt names, where the entry swash can touch the trim; pull the lockup in by 6 mm. Confirm the 10 pt request reads in low light and that the swash entries do not overlap the eucalyptus illustration.
A calligraphic script sells stationery samples at a fair, and the swash capitals read at a glance from across a table where a plain serif would look like a price list.
Hierarchy & layout recipe
A5 card: the studio name at 26 pt, the offer in a 9 pt roman, and the dates at 8 pt caps. Keep 18 mm margins and print on a cream stock with one ink so the swash entries stay thin and clean.
Pre-production check
Check the 26 pt studio name on the card, where a thin entry can break on uncoated stock; proof the run. Confirm the 9 pt offer reads at arm's length and that the card still reads when stacked on a table at an angle.
A calligraphic mark shows the discipline the studio teaches, and the swash gives a small business a signature element that survives at label size where a lighter script would fade.
Hierarchy & layout recipe
Set the mark at 24 pt on a business card and 12 pt on a sticker, and build a version with the entry swash shortened for sizes under 16 pt. Keep the mark one colour and leave clear space equal to the cap height on every side.
Pre-production check
Check the 12 pt sticker, where the thin entry can disappear; test the shortened version. Confirm the mark reads on a kraft sticker and that the shortened swash does not change the character of the word at large sizes.
Technical & licence verification
Confirm included OTF/TTF/WOFF formats, full glyph tables and licence coverage on the live store page before batch production.
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