
Lucky + Mewah
Anchors Lucky's fluid strokes with crisp Roman proportions on wedding suites, headers and packaging.
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Fine connected script with sweeping exits
Lucky is a fine connected script in grey on a pale oval: tall loops, a level baseline, and entry and exit strokes that sweep out well beyond the word on both sides.
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Get this fontProject & layout blueprintsAt-a-glance maker compatibility
Weld or Unite overlapping script joins into one continuous vector path before sending to the blade.
Visual anatomy & craft review
lucky is set lowercase in the middle of a pale oval, and the lettering is a fine monoline script: the l and the k rise into tall narrow loops, the u and the c are small and round, and the y drops into a long descender that swings back beneath the word. The entry stroke runs out to the left edge of the oval and the exit stroke runs to the right, both tapering as they go, so the word reads as a single gesture rather than a set of letters. The ground is a soft grey oval on white with a small caption above and a plain line beneath. The face is a light script for cards, invitations and small brands: it needs a generous size, it prints best in one colour, and the long terminals mean the word has to be given a wide measure.
A light script with long sweeping terminals
Two-font hierarchy recipes
Tested contrast partners — pairing Lucky with grounded secondary typography.

Lucky + Mewah
Anchors Lucky's fluid strokes with crisp Roman proportions on wedding suites, headers and packaging.
Inspect Mewah specimen
Lucky + Bareum
Keeps small-scale dates, URLs, nutrition facts and care instructions crisp and legible below script titles.
Inspect Bareum specimenPractical applications
Concrete hierarchy, scale and production guidance tailored to Lucky’s stroke geometry.
The sweeping terminals let one short line fill a wide card without an ornament, which keeps a plain invitation looking considered.
Hierarchy & layout recipe
Print a 130 by 180 mm invitation: set the names at 28 pt on one row, keep 20 mm of clear ground beneath before the venue at 9 pt, and hold 16 mm from each terminal to the card edge.
Pre-production check
The tapering terminals thin to nothing and can break; print one invitation on the intended stock and check both ends before the suite.
A light script gives a studio a quiet mark, and the long terminals make a business card feel less like a form and more like a note.
Hierarchy & layout recipe
Print an 85 by 55 mm card: set the studio name at 16 pt on one row, keep 6 mm of clear ground beneath before the contact block at 6.5 pt, and hold 5 mm of margin on both sides.
Pre-production check
At sixteen points the thin joins can drop out; print one card at the real size and check the u and the c before the order.
A light script at a modest size gives a place card a personal tone, and the fine weight keeps a long table from looking heavy.
Hierarchy & layout recipe
Print a 90 by 50 mm place card: set the guest name at 16 pt on one row, keep 7 mm of clear ground beneath before the table number at 7 pt, and hold 6 mm of margin on both sides.
Pre-production check
Long names push the terminals past the card edge; print one place card with the longest name on the list before the set.
Technical & licence verification
Confirm included OTF/TTF/WOFF formats, full glyph tables and licence coverage on the live store page before batch production.
Same independent foundry
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