
Dragon Slayer + Borsen
Lets Dragon Slayer own the focal silhouette while handling secondary copy, sizing and subheads cleanly.
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Thin tall capitals with irregular sharp joins and broad round bowls
Dragon Slayer draws a blackletter very tall and thin, keeps the contrast between stems and joins high and ends the strokes in spikes, so the word reads as a row of blades rather than a medieval text face.
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Get this fontProject & layout blueprintsAt-a-glance maker compatibility
Fine grain and micro-texture excel in 300 DPI print, sublimation, and screen print rather than small vinyl weeding.
Visual anatomy & craft review
DRAGON over SLAYER fills the frame in white on an atmospheric dark ground with a faint filigree behind, the letters stretched vertically and the counters reduced to narrow slivers. The G curls into a hooked spur, the Y drops a long tail, and the joins are drawn as fine diagonals that sharpen the whole line. Two tracked captions sit above and below, and no other element competes. The narrow counters are the practical limit: at small sizes they fill, and the word becomes a row of white bars, so this is a poster and cover face rather than a label face.
Thin tall capitals with irregular sharp joins and broad round bowls
Two-font hierarchy recipes
Tested contrast partners — pairing Dragon Slayer with grounded secondary typography.

Dragon Slayer + Borsen
Lets Dragon Slayer own the focal silhouette while handling secondary copy, sizing and subheads cleanly.
Inspect Borsen specimen
Dragon Slayer + Flowsky Editorial
Grounds bold display lettering with classic typographic authority on posters, badges and apparel.
Inspect Flowsky Editorial specimenPractical applications
Concrete hierarchy, scale and production guidance tailored to Dragon Slayer’s stroke geometry.
The spiked letterforms give a seasonal screening its atmosphere without a single illustration, and the white on dark reads in a dim room.
Hierarchy & layout recipe
Print an A2 poster: set the title at 120 pt across two lines, keep 30 mm of clear ground beneath before the time at 18 pt, and keep 26 mm of border so the tall strokes stay in the sheet.
Pre-production check
Narrow counters fill under 40 pt; check the printed proof before setting a long title. Test it on the real material before the run is booked.
The elongated forms make a cover look like a printed spine, and the mixed case keeps a long series title readable at thumbnail size.
Hierarchy & layout recipe
Print a 152 by 229 mm cover: set the title at 56 pt across two lines, keep 20 mm of clear ground beneath before the author at 12 pt, and keep 18 mm of margin from the trim edge.
Pre-production check
Thin joins vanish at thumbnail size; check a reduced proof before the cover is finalised. Verify the result on the printed piece, then approve.
The heavy vertical strokes hold on a narrow bottle label, and the pointed terminals give a winter release a colder character.
Hierarchy & layout recipe
Print a 40 by 100 mm label: set the release at 13 pt on one row, keep 7 mm of clear ground beneath before the strength at 5 pt, and keep 5 mm to the die edge so no spike is trimmed.
Pre-production check
Fine diagonals break in small labels; check the printed label before the bottling run. Print a sample and re-check it at final size.
Technical & licence verification
Confirm included OTF/TTF/WOFF formats, full glyph tables and licence coverage on the live store page before batch production.
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