
Antonio Split Monogram + One More
Lets Antonio Split Monogram own the focal silhouette while handling secondary copy, sizing and subheads cleanly.
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A split heavy serif A with long outer spiral curls and a broad caption band
Antonio Split Monogram draws one very tall capital, cuts it with two horizontal bars, and sets the name between them in a gold serif, with curls of filigree growing from the letter's shoulders and feet.
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Get this fontProject & layout blueprintsAt-a-glance maker compatibility
Sturdy stroke walls and open counters weed cleanly on adhesive vinyl, HTV apparel film, and cut cardstock.
Visual anatomy & craft review
The preview shows a single A at the centre of a white card, drawn in solid black and stretched to four times the height of an ordinary capital. Two heavy bars cross it horizontally, and between them the name ANTONIO is set in a warm gold serif with flat serifs and even spacing. From the top of the A and from its feet, thin curls spiral outward in matched pairs, so the whole mark is symmetrical except for the name band. A caption at the top left names the technique and a line at the top right lists the file types, both in a compact grotesque. The mark is a cut file before it is a typeface: the split is designed so a name can be dropped in and the whole shape cut from a single sheet, which is why the bars are so heavy and the serifs so plain.
A split heavy serif A with long outer spiral curls and a broad caption band
Two-font hierarchy recipes
Tested contrast partners — pairing Antonio Split Monogram with grounded secondary typography.

Antonio Split Monogram + One More
Lets Antonio Split Monogram own the focal silhouette while handling secondary copy, sizing and subheads cleanly.
Inspect One More specimen
Antonio Split Monogram + Kernova
Grounds bold display lettering with classic typographic authority on posters, badges and apparel.
Inspect Kernova specimenPractical applications
Concrete hierarchy, scale and production guidance tailored to Antonio Split Monogram’s stroke geometry.
One letter and a surname make a sign that reads from the doorway, and the split gives a place for a long name without shrinking it to fit below.
Hierarchy & layout recipe
Print a 500 by 700 mm board: set the initial at 400 mm tall, keep 22 mm of clear ground above and below the name band, and hold 30 mm from the filigree curls to the edge of the board.
Pre-production check
Curled filigree snaps when it is cut thin; print one board on the intended material and test a curl before the set is produced.
The split puts the name inside the letter, so a single piece of material carries the whole gift and nothing has to be mounted behind it.
Hierarchy & layout recipe
Print a 300 by 420 mm template: set the initial at 240 mm tall, keep 14 mm of clear ground either side of the name band, and hold 18 mm from the widest curl to the cut line of the sheet.
Pre-production check
Adhesive vinyl lifts at the curl tips; cut one test piece and apply it to the intended surface before the full cut.
The surname sits inside the initial without a second element, which makes a house sign that works from the road and on the letterhead.
Hierarchy & layout recipe
Print a 400 by 600 mm sign panel: set the initial at 320 mm tall, keep 18 mm of clear ground either side of the name band, and hold 26 mm of margin from the outermost curls to the panel edge.
Pre-production check
Outdoor panels expand in heat; print one panel and check the name band gap after a week in the sun.
Technical & licence verification
Confirm included OTF/TTF/WOFF formats, full glyph tables and licence coverage on the live store page before batch production.
Same independent foundry
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